TEXTS

review of the exhibition ,Future Footnotes’  by Yuki Higashino, in Artforum International, February 2019 ︎︎︎
review of the exhibition ,Future Footnotes’  by Aleksei Borisionok, in Springerin, 1/2019 ︎︎︎

,Asset as Set: Filmmaking in Relation to a Certain Realness of Site’ by Wendelien van Oldenborgh, in e-flux journal, 90/2018 ︎︎︎
‚Staring with Equality’ in ART iT Magazine, February 2018, part I ︎︎︎ and part II ︎︎︎
‚Drop-in Figurations against Securitized Aesthetics: Wendelien van Oldenborgh’s From Left To Night’ by Rachel O’Reilly, published 2017 ︎︎︎
‚Sluimerende stemmen die het Nederlandse zelfbeeld bijkleuren. Die kunst van Wendelien von Oldenborgh’ by Mirjam Westen, published 2017 ︎︎︎
review of the exhibition ‚.As for the Future’  by Ana Teixeira Pinto, Frieze, April 2017 ︎︎︎
‚Architecture and Multivocality: An interview with Wendelien van Oldenborgh’ by Roel Griffioen, in KunstLicht, 6/2016 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Sky Rehberg, in Frieze, January 2015 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Ziherl, in Art-agenda, October 2014 ︎︎︎
‚The past is never dead. It’s not even past.’ by Emily Pethick, in Afterall, Spring 2012 ︎︎︎
‚Interzone: On Three Works by Wendelien van Oldenborgh’ by Sven Lütticken, in Afterall, Spring 2012 ︎︎︎ online ︎︎︎
‚Forged Alternative’ by Wendelien van Oldenborgh, in e-flux journal, 22/2011 ︎︎︎ online ︎︎︎
‚Unterbrochene Gespräche über das Verlassen der Fabrik’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
‚Intermittent conversations on leaving the factory’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
,Historic Indeterminacy. Polyphony with Wendelien van Oldenborgh’  by Anke Bangma, in Metropolis M, 4/2008 ︎︎︎
No False Echoes: polyphony in colonial and post-colonial times’  by Edwin Jurriëns, IIAS Newsletter, Summer 2008 ︎︎︎


Mark