TEXTS
review of ,of girls’ by Jesse Catherine Webber, In Review Online, July 2023 ︎︎︎
,Art as a Platform for Change’, an essay by Rosa de Graaf, as part of ,Tools for Collective Learning’, 2022 ︎︎︎
review of the exhibiton unset on-set by Koji Fukada, Tokyo Art Beat, February 2023 ︎︎︎
,Wendelien van Oldenborgh - portrait’, interview by Yu Murooka, the fashion post Japan, 2022 ︎︎︎
review of ,of girls’ by Jesse Catherine Webber, In Review Online, July 2023 ︎︎︎
,Art as a Platform for Change’, an essay by Rosa de Graaf, as part of ,Tools for Collective Learning’, 2022 ︎︎︎
review of the exhibiton unset on-set by Koji Fukada, Tokyo Art Beat, February 2023 ︎︎︎
,Wendelien van Oldenborgh - portrait’, interview by Yu Murooka, the fashion post Japan, 2022 ︎︎︎
,Art, History, and Anachronic Interventions Since 1990’ by Eva Kernbauer, chapter 6, open access, 2021 ︎︎︎
,Looking on, listening in. Wendelien van Oldenborgh's Bete & Deise’ by John Mateer, Artlink, Dec 2020 ︎︎︎
,Polyphonie in die Ausstellung übertragen. Ein Gespräch von Eva Kernbauer’, Kunstforum International, October 2020 ︎︎︎
review of the exhibition ,Future Footnotes’ by Yuki Higashino, in Artforum International, February 2019 ︎︎︎
review of the exhibition ,Future Footnotes’ by Aleksei Borisionok, in Springerin, 1/2019 ︎︎︎
,Asset as Set: Filmmaking in Relation to a Certain Realness of Site’ by Wendelien van Oldenborgh, in e-flux journal, 90/2018 ︎︎︎
‚Staring with Equality’ in ART iT Magazine, February 2018, part I ︎︎︎ and part II ︎︎︎
‚Dutch Pavilion in the Venice Biennial’ by Vincent van Velsen, africanah.org, 2017 ︎︎︎
‚Drop-in Figurations against Securitized Aesthetics: Wendelien van Oldenborgh’s From Left To Night’ by Rachel O’Reilly, published 2017 ︎︎︎
‚Sluimerende stemmen die het Nederlandse zelfbeeld bijkleuren. Die kunst van Wendelien von Oldenborgh’ by Mirjam Westen, published 2017 ︎︎︎
review of the exhibition ‚.As for the Future’ by Ana Teixeira Pinto, Frieze, April 2017 ︎︎︎
‚Architecture and Multivocality: An interview with Wendelien van Oldenborgh’ by Roel Griffioen, in KunstLicht, 6/2016 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Sky Rehberg, in Frieze, January 2015 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Ziherl, in Art-agenda, October 2014 ︎︎︎
‚The past is never dead. It’s not even past.’ by Emily Pethick, in Afterall, Spring 2012 ︎︎︎
‚Interzone: On Three Works by Wendelien van Oldenborgh’ by Sven Lütticken, in Afterall, Spring 2012 ︎︎︎ online ︎︎︎
‚Forged Alternative’ by Wendelien van Oldenborgh, in e-flux journal, 22/2011 ︎︎︎ online ︎︎︎
‚Unterbrochene Gespräche über das Verlassen der Fabrik’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
‚Intermittent conversations on leaving the factory’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
,Historic Indeterminacy. Polyphony with Wendelien van Oldenborgh’ by Anke Bangma, in Metropolis M, 4/2008 ︎︎︎
‚No False Echoes: polyphony in colonial and post-colonial times’ by Edwin Jurriëns, IIAS Newsletter, Summer 2008 ︎︎︎
,Looking on, listening in. Wendelien van Oldenborgh's Bete & Deise’ by John Mateer, Artlink, Dec 2020 ︎︎︎
,Polyphonie in die Ausstellung übertragen. Ein Gespräch von Eva Kernbauer’, Kunstforum International, October 2020 ︎︎︎
review of the exhibition ,Future Footnotes’ by Yuki Higashino, in Artforum International, February 2019 ︎︎︎
review of the exhibition ,Future Footnotes’ by Aleksei Borisionok, in Springerin, 1/2019 ︎︎︎
,Asset as Set: Filmmaking in Relation to a Certain Realness of Site’ by Wendelien van Oldenborgh, in e-flux journal, 90/2018 ︎︎︎
‚Staring with Equality’ in ART iT Magazine, February 2018, part I ︎︎︎ and part II ︎︎︎
‚Dutch Pavilion in the Venice Biennial’ by Vincent van Velsen, africanah.org, 2017 ︎︎︎
‚Drop-in Figurations against Securitized Aesthetics: Wendelien van Oldenborgh’s From Left To Night’ by Rachel O’Reilly, published 2017 ︎︎︎
‚Sluimerende stemmen die het Nederlandse zelfbeeld bijkleuren. Die kunst van Wendelien von Oldenborgh’ by Mirjam Westen, published 2017 ︎︎︎
review of the exhibition ‚.As for the Future’ by Ana Teixeira Pinto, Frieze, April 2017 ︎︎︎
‚Architecture and Multivocality: An interview with Wendelien van Oldenborgh’ by Roel Griffioen, in KunstLicht, 6/2016 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Sky Rehberg, in Frieze, January 2015 ︎︎︎
review of the exhibition ‚Footnotes to Beauty and the Right to the Ugly’ by Vivian Ziherl, in Art-agenda, October 2014 ︎︎︎
‚The past is never dead. It’s not even past.’ by Emily Pethick, in Afterall, Spring 2012 ︎︎︎
‚Interzone: On Three Works by Wendelien van Oldenborgh’ by Sven Lütticken, in Afterall, Spring 2012 ︎︎︎ online ︎︎︎
‚Forged Alternative’ by Wendelien van Oldenborgh, in e-flux journal, 22/2011 ︎︎︎ online ︎︎︎
‚Unterbrochene Gespräche über das Verlassen der Fabrik’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
‚Intermittent conversations on leaving the factory’ by Eric C. H. De Bruyn, in Texte zur Kunst, 79/2010 ︎︎︎
,Historic Indeterminacy. Polyphony with Wendelien van Oldenborgh’ by Anke Bangma, in Metropolis M, 4/2008 ︎︎︎
‚No False Echoes: polyphony in colonial and post-colonial times’ by Edwin Jurriëns, IIAS Newsletter, Summer 2008 ︎︎︎