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Wendelien van Oldenborgh
WORKS

[2024] A Prelude
 [2022] of girls
[2021] obsada
 [2021] Hier.
 [2019] From Left to Night LP
[2019] Images Letters Stones
[2019] Two Stones            
[2018] Future Footnotes
[2017] Cinema Olanda
[2016] Prologue: Squat/Anti Squat
[2015] From Left to Night
[2014] Beauty and Right to the Ugly
[2012] Bete & Deise
[2012] La Javanaise
[2011] Supposing I love you. And you also love me
[2010] Lina Bo Bardi: The Didactic Room
[2010] Pertinho de Alphaville
[2009] Instruction
[2009] Après la reprise, la prise
[2008] No False Echoes
[2008] Maurits Film
[2008] Lecture/Audience/Camera
[2006-08] Sound Track Stage
[2006] Maurits Script
[2005] The Basis For A Song
[2004-05] A Certain Brazilianness
[2002] Studio Rotterdam 19-09-2002 3.30 to 7.15 pm
[2001] Stadtluft
[1999] it’s full of holes, it’s full of holes
[1998] Splitsing
[1997] Horizontal
Mark
Splitsing [1998]

super-8 transferred to digital video
no sound



Filmed in the streets of Rio de Janeiro on a regular saturday afternoon at the end of the 1990s, this work formed a loop unexpectedly.

Leire Vergara writes on this work in her essay Inside Black Syntax, for the catalogue tono lengua boca, 2019, p32 ︎

Stills


Installation view of As Occasions, solo presentation at Tent. Rotterdam, 2008. Photograph by Bob Goedewaagen