Footnote to Apès la reprise, la prise was the first large scale lenticular print to accompany a work. Lenticular prints create a layered sequence of images that alternate in response to the movement of the viewer’s body and becomes a short cinematic experience. A short scene, which never comes to rest.




Installation view of Women at Work, Edith Russ Haus, Oldenburg, 2016. Photographs by Mathis Oesterlen